Liquid Ink

The official website of Gint Aras, Finalist 2016 CWA Book Award


The 21st Century Holocaust

The video below is from December. Lucy Aharish told us then that we were facing a holocaust, and the world is witnessing that holocaust right now, amplified and accelerated before us: a barbaric, categorical slaughter of citizens.

While American leaders demonize these innocents, using them to fan fears among imbeciles and racists in an effort to secure votes, our global adversaries dare us to stop the slaughter, thumbing their noses while children lie dead on concrete and dirt, their mouths open like suffocated fish, their skin bleached and burned.An_Aerial_View_of_the_Za'atri_Refugee_Camp

Our grandchildren will ask us why we did nothing to stop the slaughter, why we allowed it to get to this point, and why we did not welcome the victims, offer them refuge. The answer isn’t complicated: we didn’t care. We believed in the delusion that these people were “over there” while we were “over here,” that there was some massive difference between them and us. We saw the videos and photos, read the testimonies, understood the geo-political game and sat back to say, “It doesn’t affect me.”

Whatsoever you do to the least of My people, that you do unto Me.

Realize who our most influential thinkers have been. We are not followers of Hamilton, Franklin, Lincoln or any of the people on our money. We are certainly not followers of Christ, who told us whatsoever we did to the least of His people we did unto Him.

There he is, Jesus of Nazareth, asking to be let in to our home, and we refuse because he might be a terrorist, this Middle Easterner with a beard.

Our most influential thinker is Ayn Rand. She would shake our hands right now and say, “Well done. Help is futile. Fools get what they deserve.” And look at the evidence! The stock market is rising, isn’t it? Haven’t the prices of homes gone up? Aren’t we “bringing back coal” and reducing regulations, cutting aid for the poor, ruining our presently bad schools, getting tough with unions, keeping terrorists out, making sure married people don’t sit at the table with members of the opposite sex, taking rights away from women, from minorities, from people we hired ourselves to work for less than minimum wage? All while shrugging at the images of a holocaust a half-hour after the electorate shrugged off a madman’s racism, rationalizing their vote by claiming they wanted “change” and had “economic reasons,” lying to themselves all in to the trope of bringing America back to some former greatness?

Greatness is just around the corner. Our grandchildren will be interrogating us sooner rather than later. They might not ask us why we did nothing to help. They might be wise enough—er, great enough—to ask the obvious question: “Grandfather, grandmother, why didn’t you care?”

 

Lucy Aharish – nobody stopping holocaust in Halab, Syria from EurOpinion on Vimeo.

Photo of the Za’atri camp in Jordan from Wikipedia


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Youth scholarship available for prose workshop

Registration for my prose writing workshop ends early April 7th at 2:00 PM. A generous donor has made a scholarship available for the first young writer, aged 16-20, to claim it. It’s for half tuition, or $210.

To claim this scholarship, be the first person to register for the prose workshop by emailing me here. I’ll send you my PayPal info.
Details:

Prose Writing Workshop, with Gint Aras

Friday nights, 6:30-8:30, from April 7-May 26

Upstairs Apartment and Lounge, Buzz Cafe

905 S. Lombard, Oak Park, IL

Open to writers of any level, aged 16 or older

Registration ends after 8 students have registered, or at 2:00 on April 7.

Cost: $420

Hope to see you!


Photo by Bennorth Photography


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Flooding damage

I had a clogged sewage pipe. The basement flooded, about five inches of water. All sorts of stuff needs to be discarded: rugs, mattresses, clothes. But there are two things that just ripped my heart to shreds.

This is a photo of the box that contains the only hard copy of the novel I wrote while living in Europe between 1996-1999. About a Lithuanian orphan who ends up influencing the life of an historian from Santa Barbara, it was never published. Yes…like The Fugue, this one was just sitting on the floor somewhere.

My wife fell in love with me while reading this book. I developed friendships while writing it, and I became myself as a writer, found my voice somewhere in the middle of it. It contains some of the worst sentences I’ve ever written, so pathetically, honestly unfortunate that they represent an organic beauty I’ll never know again.

IMG_4049

The text is ruined. Also in the box were critiques of my writing I had collected from classmates at Columbia, some of whom have gone on to become quite accomplished and acclaimed writers.

The other damage is a box of letters. Those letters date back to the late 80’s; many of them are in old air mail envelopes. The box contained post cards from ex-girlfriends, letters from men who had witnessed the Soviet crackdown in Lithuania; it’s just a box of treasures, memories, mementos, documents to make sense of my identity and past. Many of them will be saved, but some of them are just trashed.

My computer and cameras survived. So did my tax papers and all sorts of stuff money can replace.

Move your treasures to higher ground.


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My reading at Waterline (video)

Here’s a video of me reading from The Fugue, as recorded by the good folks at Waterline Writers Reading Series in Batavia, Illinois.

If you’re interested in the writing workshop I’m leading, click here.

Gint Aras at Waterline Writers: March 2017 from Waterline Writers on Vimeo.


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Writing Workshopt with Gint Aras: 3 spots left

Aspiring Chicagoland writers, there are stil three spots left in the spring workshop offered by acclaimed author Gint Aras. the workshop will take place in a lovely apartment above The Buzz Cafe in Oak Park, IL, right in the heart of the Arts District.

 To register, e-mail Gint here. He’ll send you his PayPal information and verify your e-mail address.

Details:

Prose Writing Workshop, with Gint Aras

Friday nights, 6:30-8:30, from April 7-May 26

Upstairs Apartment and Lounge, Buzz Cafe

905 S. Lombard, Oak Park, IL

Open to writers of any level, aged 16 or older

Registration ends after 8 students have registered 

Cost: $420

About Gint:

Gint Aras is the critically acclaimed author of The Fugue (Tortoise, 2016), finalist for the 2016 Chicago Writers Association Book of the Year Award. The novel was called “magisterial” by the Chicago Tribune and a “masterpiece of literary fiction” by Centered on Books. His other prose and translations have appeared in the St. Petersburg Review, Quarterly West, Antique Children, Criminal Class Review, Curbside Splendor, ReImagine, STIR Journal, Heavy Feather Review, and he was a contributing and section editor at The Good Men Project. Aras earned an MFA from Columbia University in the City of New York, and a BA in English and American Literature from the University of Illinois.


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Writing Workshop with Gint Aras

Gint Aras is leading a writing workshop this spring, 2017, in Oak Park’s famous Arts District. The workshop is open to writers of any level, aged 16 or older, and registration is on a first-come, first-served basis, maxing out at 8 students.

Classes begin on April 7th and meet weekly each Friday night thereafter, from 6:30-8:30 PM, at the Upstairs Apartment and Lounge (see photos below) above The Buzz Cafe in Oak Park, IL. The Buzz is only steps from the Austin Blue Line Station, easily accessible via the Eisenhower Expressway.

The course focuses on craft. However, Gint will lead students though strategies for pitching writing, identifying markets, maintaining an internet presence, and he’ll share knowledge of Chicago’s growing, exciting independent publishing and book-selling community. The final meeting on May 26th will feature a reading at a public venue in Chicago. Expect surprise guests!

To register for the course, click here and send him a message, including your name. You must have a PayPal account to register.

Details:

Prose Writing Workshop, with Gint Aras

Friday nights, 6:30-8:30, from April 7-May 26

Upstairs Apartment and Lounge, Buzz Cafe

905 S. Lombard, Oak Park, IL

Open to writers of any level, aged 16 or older

Registration ends after 8 students have registered 

Cost: $420

Gint Aras is the critically acclaimed author of The Fugue (Tortoise, 2016), finalist for the 2016 Chicago Writers Association Book of the Year Award. The novel was called “magisterial” by the Chicago Tribune and a “masterpiece of literary fiction” by Centered on Books. His other prose and translations have appeared in the St. Petersburg  Review, Quarterly West, Antique Children, Criminal Class Review, Curbside Splendor, ReImagine, STIR Journal, Heavy Feather Review, and he is a former contributing and section editor at The Good Men Project. Aras earned an MFA from Columbia University in the City of New York, and a BA in English and American Literature from the University of Illinois.

Portrait

Photo by Tauras Bublys Photography

***

Discussions will take place in this wonderful room.

Buzz room 1

And also at this wonderful table

Buzz room 2


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Take my prose writing workshop

I’m pleased to announce that I’ll be teaching a prose writing workshop over eight weeks this spring. The class is open to writers of any level, aged 16 or older, and registration is on a first-come, first-served basis, maxing out at 8 students.

Classes begin on April 7th and meet weekly each Friday night thereafter, from 6:30-8:30 PM, at the Upstairs Apartment and Lounge (see photos below) above The Buzz Cafe in Oak Park, IL. The Buzz is only steps from the Austin Blue Line Station, easily accessible via the Eisenhower Expressway.

The course will focus on the craft of prose. However, we’ll spend time talking about other elements, including pitching our writing, identifying markets for our work, maintaining an internet presence, and I’ll share knowledge of Chicago’s growing, exciting independent publishing and book-selling community. We’ll work on reading our work aloud, and our final meeting, May 26th, will feature a reading at a public venue.

Details:

Prose Writing Workshop, with Gint Aras

Friday nights, 6:30-8:30, from April 7-May 26

Upstairs Apartment and Lounge, Buzz Cafe

905 S. Lombard, Oak Park, IL

Open to writers of any level, aged 16 or older

Registration ends after 8 students have registered 

Cost: $420

To register, send me an email message. I’ll direct you to my PayPal account. Once you have paid, you’ll be registered.

Buzz room 1

Buzz room 2

What kind of a writing teacher am I?

Writing is an intimate experience with the self. It’s a process that reveals emotions and ideas that can at times seem daunting. That process of self-exploration is vital to learning to know and develop our own voices. Writing is, in a way, a lesson in feeling comfortable with discomfort, then judging what we’d like to reveal and how to go about it. It requires sober encouragement and tactful critique in about equal measure.

I believe we’re at our best when we write the thing we’d really like to be reading. That’s not an original idea; plenty of writers speak to this point. The best writers read constantly, and they use the texts they read as lessons in craft. I very often give students texts that can help them see a lesson in action.

There are practical ends to writing that have to do with technique. We do often think about the audience we’re trying to reach or what idea we’re trying to provoke. I have experience writing for newspapers, magazines, literary journals, and I’ve written two novels. The state of mind we enter when we’re writing a novel is obviously different from the one we inhabit when we’re penning a report. Both states, however, demand attention. You can expect me to teach attention to the idea and the word, and the tension between them. My mantra is that we write one word at a time. That is, essentially, the closest thing to a rule students should expect from me.