Liquid Ink

The official website of Gint Aras, Finalist 2016 CWA Book Award


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My special guest: Constance Volk

Chicagoans and weekend travelers, be aware: my book launch party is this Saturday, Oct 12th, at 7:00 PM at Volumes Bookcafe in Chicago. The evening will feature Eastern European snacks, a cash bar, and a brief discussion about the process that led to the composition of Relief by Execution. In addition, it will feature the art and music of the absolutely brilliant Constance Volk.

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Connie is a painter, illustrator, singer and multi-instrumentalist. She bends boundaries some of us don’t even perceive, and remains among the most open-minded and versatile artists I’ve ever met. Check out her website here.

Her paintings straddle the boundaries of form and chaos, often blending the two into spaces where the line between these apparent poles becomes irrelevant to the experience of the art. I love these paintings:

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She’s also a stunningly precise and powerful musician.

Here she is playing flute with Ensemble Del Niente.

Georg Friedrich Haas: In Vain (Ensemble Dal Niente, 02/28/13) from Ensemble Dal Niente on Vimeo.

Here she is singing lead vocals for Vicarious Tool, a Tool tribute band (that uses an electric violin instead of a guitar):

Connie will have recordings and paintings for sale, and she’ll be providing live music for the duration of the evening. I’m sure we’ll hear some fusion between Bach and Slayer, probably played on flute.

Come join us!


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Two new essays about writing and identity

I published a pair of essays this week. Along with the launch of my memoir, this equals the highest concentration of new Gint Aras material ever published over the course of a 72-hour period. If you share this news with merchants, you’ll get a coupon for 10% off your next purchase of potatoes. Just say the code “Gint” the next time you’re buying a bag.

LitReactor published this piece about the value a writer can find while digging in dirt. It’s titled Want to Be Radical? Be Sincere. Check it out.

Vilnius Review published this satire about Lithuanian identity. It’s kind of magazine-specific, and uses all sorts of words only Lithuanians will get. However, if you’re interested in questions of diaspora or ethnic identity, you’ll get the point. It’s called Embracing the Beauty of Being Fake. I hope you’ll read and share.

This is a photo of Mexican Amber, just because:

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Photo from Wikipedia.

Relief by Execution is now available

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My memoir, Relief by Execution: A Visit to Mauthausen, is now available anywhere book are sold. You can buy it directly from the publisher’s website, or you can order it from your favorite bookstore. The launch party is Saturday, October 12th at 7:00 at Volumes Bookcafe, 1474 N Milwaukee, Chicago, IL.

I hope you’ll check out and share the trailer for the book.

 


New interview: Collapsing and Constructed Identity, Lithuania Tribune

As followers of my Facebook Author Page know, I’m spending the entire summer in Lithuania this year, something I’ve not done since 1996. I found it fitting to be out here when I got a request for an interview from Alexsandra Kudickis, a journalist who has previewed my forthcoming book, Relief by Execution.

The interview was published on June 25 by the Lithuania Tribune. It’s in English. It covers cultural and ethnic identity, Zen meditation, The Fugue, the Holocaust in Lithuania, and pressing questions about controversial memorials in Lithuanian cities.

You can read the interview here.

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Photo by Žana Gončiar


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Art is resistance

It’s always an exciting step when your publisher tells you the cover of your book is finished. Here it is.

Relief Execution Cover final

The release date is October 8th. Pre-order begins on Amazon and Barnes and Noble some time late next week, February 21st. Follow Liquid Ink to keep up with the details, including news about the launch party, scheduled for October.

Here’s what Mikhail Iossel, the founder of the Summer Literary Seminars, and a samizdat writer born in the USSR, had to say after reading it:

This short text packs a powerful punch. A searingly raw exploration of one’s roots, one’s original milieu, one’s upbringing and one’s own conscience. At times difficult to read, it is nonetheless entirely engrossing. Hard to look at yet impossible to look away. A remarkable piece of writing.

From the back cover:

Between the years of 1996-1999, Gint Aras lived a hapless bohemian’s life in Linz, Austria. Decades later, a random conversation with a Polish immigrant in a Chicago coffeehouse provokes a question: why didn’t Aras ever visit Mauthausen, or any of the other holocaust sites close to his former home? The answer compels him to visit the concentration camp in the winter of 2017, bringing with him the baggage of a childhood shaped by his family of Lithuanian WWII refugees. The result is this meditative inquiry, at once lyrical and piercing, on the nature of ethnic identity, the constructs of race and nation, and the lasting consequences of collective trauma. 

Fussweg


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My new book, available Autumn 2019

Some people have been wondering why Liquid Ink has been so silent. Instead of writing here, I’ve spent the last year working on a variety of projects, including a manuscript currently under contract with Homebound Publications.

It’s titled Relief by Execution: A Visit to Mauthausen.  As you might imagine, the book is about a trip I took to Mauthausen and what sort of consciousness I discovered there. It’s also an intimate look at fixed ideas I inherited while growing up in a xenophobic and bigoted environment. Those ideas influenced my perceptions, but they finally shattered completely during my visit to a concentration camp.

Expect more news as the publication date approaches, and follow me here on Liquid Ink for updates.  You can also follow my author page on Facebook and hear my banter on Twitter.

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