Liquid Ink

The official website of Gint Aras, Finalist 2016 CWA Book Award


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Writing Workshop with Gint Aras

Gint Aras is leading a writing workshop this spring, 2017, in Oak Park’s famous Arts District. The workshop is open to writers of any level, aged 16 or older, and registration is on a first-come, first-served basis, maxing out at 8 students.

Classes begin on April 7th and meet weekly each Friday night thereafter, from 6:30-8:30 PM, at the Upstairs Apartment and Lounge (see photos below) above The Buzz Cafe in Oak Park, IL. The Buzz is only steps from the Austin Blue Line Station, easily accessible via the Eisenhower Expressway.

The course focuses on craft. However, Gint will lead students though strategies for pitching writing, identifying markets, maintaining an internet presence, and he’ll share knowledge of Chicago’s growing, exciting independent publishing and book-selling community. The final meeting on May 26th will feature a reading at a public venue in Chicago. Expect surprise guests!

To register for the course, click here and send him a message, including your name. You must have a PayPal account to register.

Details:

Prose Writing Workshop, with Gint Aras

Friday nights, 6:30-8:30, from April 7-May 26

Upstairs Apartment and Lounge, Buzz Cafe

905 S. Lombard, Oak Park, IL

Open to writers of any level, aged 16 or older

Registration ends after 8 students have registered 

Cost: $420

Gint Aras is the critically acclaimed author of The Fugue (Tortoise, 2016), finalist for the 2016 Chicago Writers Association Book of the Year Award. The novel was called “magisterial” by the Chicago Tribune and a “masterpiece of literary fiction” by Centered on Books. His other prose and translations have appeared in the St. Petersburg  Review, Quarterly West, Antique Children, Criminal Class Review, Curbside Splendor, ReImagine, STIR Journal, Heavy Feather Review, and he is a former contributing and section editor at The Good Men Project. Aras earned an MFA from Columbia University in the City of New York, and a BA in English and American Literature from the University of Illinois.

Portrait

Photo by Tauras Bublys Photography

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Discussions will take place in this wonderful room.

Buzz room 1

And also at this wonderful table

Buzz room 2


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Thanks to the Chicago Writers Association

I was thrilled to attend the award ceremony last Saturday night (January 14) at The Book Cellar to mark the Chicago Writers Association 2016 Book of the Year Awards. It was really a lovely evening, with one of the most amazing cakes I’ve ever seen, and wonderful conversation afterwards.

The complete list of winners is available here. The Fugue won an honorable mention. Here I am with Gerald Brennan, owner of my publisher, Tortoise Books.

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Photo courtesy of the Chicago Writers Association.


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Expressing gratitude on the first anniversary of my novel’s publication

Today marks one year since the publication of my novel, The Fugue. I have so many reasons to express gratitude. Thank you  to my readers, to the many people who visit Liquid Ink religiously, especially those who share my writing with others. I’m just humbled to think that my writing has reached so many people in such a short time.

I’ve received notes from readers enjoying the book as far away from Chicago as Madagascar, Seychelles, Sydney and various parts of Europe. In November of 2014, before I agreed to terms, I had labeled the book a failure. Set aside, it had been collecting dust since I had finished it in 2006.

The story of how my book got published has been a topic about as interesting as the book itself. After my original publisher went out of business, the book got dumped, only to be picked up in less than 24 Hours by Tortoise Books. In short, it has been a roller coaster.

Prior to it getting published—prior to newspapers like the Chicago Tribune calling it “magisterial” and comparing it to Dostoevsky; prior to Rick Kogan glowing about it on WGN Radio, comparing it to the likes of Stuart Dybek and Nelson Algren; prior to it becoming a finalist for a Book of the Year Award—The Fugue had been rejected for being “too long” and “too focused on a community unknown to most readers.” It had been called inaccessible, convoluted and unreadable. I had been told to think more carefully about what actual American readers wanted to enjoy, and had my attention drawn to books about 5th Avenue shopping culture and immature divorce stories. I was asked to stop fantasizing about becoming one of my favorite writers, authors “no one reads anymore” and to write something snappy and original. People told me no one had any interest in long novels; that year, a pile of 110,000 word debut novels had been released.

Of course, now I stand in bookstores selling my novel, talking to readers, and I see how often books the size of lunchboxes are purchased. Two of the last three times I had a book-selling event, I sold out of the copies I had brought.

The moral of the story for writers, or for anyone pursuing an ambition against odds, is never to give up, no matter how many times you’re rejected, how many times you’re told there’s no interest in you. The most important lesson I learned while getting my MFA was that criticism revealed much more about the critic than the critiqued. That lesson keeps me soldiering on. It’s universally true.

Interested parties should know that I’m almost done with another manuscript. You’ll have something new to read soon, hopefully.

Thank you for accepting, reading, sharing and talking about my work.  You’re all the best.

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This Podcast Will Change Your Life

I was fortunate to be invited to speak to Ben Tanzer on This Podcast Will Change Your Life. We discuss, among other things, men’s issues, marriage, The Fugue, Robert Duffer, Finding the Moon in Sugar, Robert Duffer, The Good Men Project, Tortoise Books, coping mechanisms, refugees, trauma, meditation, forming an identity, migration patterns and much more.

Give it a listen! Click here.

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Photo of me with Ben Tanzer courtesy of This Podcast Will Change Your Life.


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Unburdened from sin or connected to God

Reviews of The Fugue have, until this point, compared the book to the likes of Fyodor Dostoevsky, Victor Hugo, Virginia Woolf, Boris Pasternak, Betty Smith, Nelson Algren, Richard Powers, Flannery O’Connor and others.

Commentators have noted the book’s fugue-like structure, its homage to classical music and opera, and its use of various techniques of visual art, among them simultaneity. The latest review, from Amy Strauss Friedman, writing for the Yellow Chair Review notes the novel’s similarity to pointillism.

Aras has given us a masterful web of narrative that feels much like pointillism in painting, in which an artist uses individual dots to create a larger, intricate image.

She goes on to write:

The Fugue is an epic work that will ensnare you from the first chapter and won’t let you go even after you’ve finished it. It is a composition that all should hear.

I guess the only way to see if all these people are just talking craziness is to read the book for yourself. As your library to order it, get it at your favorite bookstore or buy it here.

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Next reading: The Book Cellar!

I won’t shy away from saying it’s a bit of a dream come true to be reading this Wednesday night at The Book Cellar as part of Local Author Night. Local authors join me: Paul Barile (My Brother’s Hands), Laura Quinn (Punk Charming), Maggie Kast (A Free, Unsullied Land), Donna Urbikas (My Sister’s Mother), Martin Seay (Mirror Thief), at 7PM.

The Book Cellar

June 15, 2016 7:00

4736-38 N Lincoln Ave Chicago, IL 60625 
(773) 293-2665

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Meet me at Printers Row, Chicago

Dear Chicago:

This morning I’m at Printers Row Lit Fest, Tent C, sitting at the Tortoise Books table. Come buy any Tortoise title and meet me, get your copy of The Fugue signed, then browse around. It’s a great event and the weather is just perfect for it!

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