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The official website of Gint Aras, Finalist 2016 CWA Book Award


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Help save Volumes Bookcafe

If you’re feeling generous, or you’re one of those actually benefiting from the pandemic, wondering how best to share your resources with those in need, I hope you’ll consider donating to Volumes Bookcafe. Click here to access their GoFundMe page.

Volumes holds a unique place in Chicago’s cultural scene. Situated in the heart of Wicker Park, only blocks from Nelson’ Algren’s former home, the bookstore sprung up to become, virtually overnight, an institution in Chicago’s literary community. Bookish but not highbrow, nerdy but not lame, Volumes welcomes absolutely everyone, and sells books, beers, pens, magnets, puzzles or muffins to suit virtually every taste.

When independent publishers Tortoise Books picked up my novel, The Fugue, back in 2016, I faced the daunting task of marketing it with virtually no budget, few leads and limited knowledge of marketing or salesmanship. I looked at a map of Chicago’s bookstores, and decided to walk in to each one to talk about holding some event, or leaving books on consignment.

A lot of bookstores in Chicago aid writers of all stripes. However, the support I received from Volumes was particular in its warmth and openness. They did not look at me like a  formal business partner, or a token that allowed them to claim support for small artists. Because their goal was to create community and foster cultural activity, Volumes welcomed me to a space that felt nothing short of family, and allowed me to access readers I never would have reached without their help. They seemed unaware of how strange, even exotic their habits were. It was just the way they went about selling books.

Well, we’re at risk of losing them. Yes…we’re at risk of losing so much…but saving Volumes is a noble goal, not only for the city: tourists from around the world buy books here, drink coffee here, and feel as welcome as I did when I came to say, “Um, hi. I’m an obscure writer with holes in my pants. Can you help me?”

They helped. Let’s help them.

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Thoughts on switching publishers

My publisher, Jerry Brennan of Tortoise Books, recently wrote a blog post to share his thoughts about taking over publishing and production duties for The Fugue. Writers aspiring to publish novels should read it. Today I want to expand a bit on Jerry’s thoughts.

It turns out that, unbeknownst to either of us, Jerry and I were students at Columbia University at exactly the same time. He was at the J-school while I attended classes one building to the north at the School of the Arts.

I often used to peer at the J-school and feel pangs of jealousy. Journalism students, I was sure, didn’t struggle with feelings of illegitimacy the way I did as a mere writing student. They were all sure of themselves and would one day offer society valuable skill. How could I know one of them would be publishing my book?

It’s possible that Jerry and I ate in the cafeteria at the same time or stood queued up in the bookstore at the very same hour. I would pass the J-school every single day, no matter if I was going to class or to the library. Al Gore was teaching there, and I once tried to pry in to a lecture only to get paranoid at the last minute and hide away. Jerry attended those classes.

I’ve known Jerry on Facebook and Twitter ever since the publication of Finding the Moon in Sugar in 2009. He and I caught wind of one another through Chicago’s indie writing community. Of course, I had no idea we had been classmates, trading places in rather classic ships-in-the-night fashion. I was quite literally working on the earliest version of The Fugue while Jerry was studying under Al Gore.

I experienced a roller coaster of a day this past February when CCLaP and I parted ways. In less than twelve hours, I went from being suddenly unpublished to published again, with a new marketing plan and a ton of support.

As with virtually anything in life, luck and diligence conspired to see me find a second deal. And I see no small bit of weirdness in the story, that a book I had essentially put under my bed, hung up as a failure, ended up published not once but twice, and in the span of less than a day, the second time by a guy from essentially the same graduating class.

I got good advice from wise people when I published Finding the Moon in Sugar. Here it is: reach out to everyone you can and take an active interest in other people’s businesses and stories; look at others in the publishing world as collaborators, not competitors, and understand that a team effort is necessary for a book to do well. Of course, many things are just beyond your control. You go to graduate school, at least partially, to “develop a network”. How fitting that a guy in my network was someone who shared my college experience when neither of us had any idea until the ink had dried on the contract.

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