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The official website of Gint Aras, Finalist 2016 CWA Book Award


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Writing Workshop with Gint Aras

Gint Aras is leading a writing workshop this spring, 2017, in Oak Park’s famous Arts District. The workshop is open to writers of any level, aged 16 or older, and registration is on a first-come, first-served basis, maxing out at 8 students.

Classes begin on April 7th and meet weekly each Friday night thereafter, from 6:30-8:30 PM, at the Upstairs Apartment and Lounge (see photos below) above The Buzz Cafe in Oak Park, IL. The Buzz is only steps from the Austin Blue Line Station, easily accessible via the Eisenhower Expressway.

The course focuses on craft. However, Gint will lead students though strategies for pitching writing, identifying markets, maintaining an internet presence, and he’ll share knowledge of Chicago’s growing, exciting independent publishing and book-selling community. The final meeting on May 26th will feature a reading at a public venue in Chicago. Expect surprise guests!

To register for the course, click here and send him a message, including your name. You must have a PayPal account to register.

Details:

Prose Writing Workshop, with Gint Aras

Friday nights, 6:30-8:30, from April 7-May 26

Upstairs Apartment and Lounge, Buzz Cafe

905 S. Lombard, Oak Park, IL

Open to writers of any level, aged 16 or older

Registration ends after 8 students have registered 

Cost: $420

Gint Aras is the critically acclaimed author of The Fugue (Tortoise, 2016), finalist for the 2016 Chicago Writers Association Book of the Year Award. The novel was called “magisterial” by the Chicago Tribune and a “masterpiece of literary fiction” by Centered on Books. His other prose and translations have appeared in the St. Petersburg  Review, Quarterly West, Antique Children, Criminal Class Review, Curbside Splendor, ReImagine, STIR Journal, Heavy Feather Review, and he is a former contributing and section editor at The Good Men Project. Aras earned an MFA from Columbia University in the City of New York, and a BA in English and American Literature from the University of Illinois.

Portrait

Photo by Tauras Bublys Photography

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Discussions will take place in this wonderful room.

Buzz room 1

And also at this wonderful table

Buzz room 2


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Thoughts on switching publishers

My publisher, Jerry Brennan of Tortoise Books, recently wrote a blog post to share his thoughts about taking over publishing and production duties for The Fugue. Writers aspiring to publish novels should read it. Today I want to expand a bit on Jerry’s thoughts.

It turns out that, unbeknownst to either of us, Jerry and I were students at Columbia University at exactly the same time. He was at the J-school while I attended classes one building to the north at the School of the Arts.

I often used to peer at the J-school and feel pangs of jealousy. Journalism students, I was sure, didn’t struggle with feelings of illegitimacy the way I did as a mere writing student. They were all sure of themselves and would one day offer society valuable skill. How could I know one of them would be publishing my book?

It’s possible that Jerry and I ate in the cafeteria at the same time or stood queued up in the bookstore at the very same hour. I would pass the J-school every single day, no matter if I was going to class or to the library. Al Gore was teaching there, and I once tried to pry in to a lecture only to get paranoid at the last minute and hide away. Jerry attended those classes.

I’ve known Jerry on Facebook and Twitter ever since the publication of Finding the Moon in Sugar in 2009. He and I caught wind of one another through Chicago’s indie writing community. Of course, I had no idea we had been classmates, trading places in rather classic ships-in-the-night fashion. I was quite literally working on the earliest version of The Fugue while Jerry was studying under Al Gore.

I experienced a roller coaster of a day this past February when CCLaP and I parted ways. In less than twelve hours, I went from being suddenly unpublished to published again, with a new marketing plan and a ton of support.

As with virtually anything in life, luck and diligence conspired to see me find a second deal. And I see no small bit of weirdness in the story, that a book I had essentially put under my bed, hung up as a failure, ended up published not once but twice, and in the span of less than a day, the second time by a guy from essentially the same graduating class.

I got good advice from wise people when I published Finding the Moon in Sugar. Here it is: reach out to everyone you can and take an active interest in other people’s businesses and stories; look at others in the publishing world as collaborators, not competitors, and understand that a team effort is necessary for a book to do well. Of course, many things are just beyond your control. You go to graduate school, at least partially, to “develop a network”. How fitting that a guy in my network was someone who shared my college experience when neither of us had any idea until the ink had dried on the contract.

Books 1

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My new publisher

I’m thrilled to announce that my novel, The Fugue, has been picked up by Tortoise Books, a very specialized publisher with keen attention to detail. They’re here in Chicago, and I couldn’t be happier with how I’ve been treated by them.

In terms of content, the new book is, barring a few minor typographical adjustments, identical and tells the exact same story as the version originally published by CCLaP. Tortoise decided to redesign the cover and layout, and the result is a more classic feel. I love the paper its printed on. It smells the way old libraries used to.

Now…there are still first editions floating around out there. If you were totally in love with the old cover—it was a photograph I took in The Netherlands, in an old church converted to a bookstore—you might contact The Book Table or City Lit Books in Chicago. Those copies stand to become the rare versions.

If you immediately want this, the 2nd edition, your independent bookstore can order it for you. You can also get it at Amazon, and it’s available on the Kindle (or, with an app, on any device). I’ll be reading from and selling copies of this new version in New York on March 30th and in Seattle in April.

Fugue Full

The front

Cover Fugue 2 single


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Reading at KGB next Thursday, 4/2

If you’re in New York and have been following my writing for a while (or even if you haven’t), I hope you’ll come to KGB on Thursday, 4/2, to hear me read from my forthcoming novel, The Fugue.

Click here to see the Facebook invite.

This is part of the Columbia Faculty Selects series. I’ll be reading with two talented writers, fellow graduates of Columbia University’s MFA program, poet Hilary Dobel and essayist Marin Sardy.

To have been selected is an honor. Also, god damn, I realize I have really missed New York, last visited in 2012.

Hope to see you, and hope you bring friends.