Liquid Ink

The official website of Gint Aras, Finalist 2016 CWA Book Award


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The Guy With The Vulgar Shirt

I revised my take on the guy with the vulgar shirt for today’s True Community. Downtown Abbey fans will dig what I came up with.  Check it out here.


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What’s appropriate to wear to class?

This just happened.

I was sitting in my office and typing an email message . A trio of students walked past my wide open door, and I noticed that one student’s shirt said “suck dick” on it. So I stepped out into the hall and asked him, rather jovially, “Hey, can I see what your shirt says?”

Here’s what it said:

You can’t suck my dick while talking, so shut the fuck up.

I’m not for censorship. I think people should wear what they please, and I occasionally teach wearing a dashiki. But I’m glad I’m not the one who’s got this guy in his classroom today. I’m going to guess most instructors are just going to ignore it. Why attract further attention? However, right now I’m wondering how I would handle it if he came to my class wearing that thing.

I’ve responded to students’ t-shirts before by assigning research projects. A guy who came into my class wearing a hammer and sickle got to do a project about the Gulag. Another guy sporting a Che t-shirt got to read Ay, Cuba, A Socio-Erotic Journey. But how do you turn this kind of frat-boy belligerence into a learning experience? “Here, watch all 44 episodes of Keeping Up Appearances, then write a paper on how etiquette and protocol can be contrived to equal passive aggression.”

For the record, when I was 16, I had a t-shirt that said Shut Up, Bitch. I bought it in California following a nasty bit of heart-wringing over a girl, and I wore it to a few beach parties and a summer camp. One of my dearest friends in the world, a woman who knows me through-and-through, two years my elder, took me to the side and said, “I don’t think that shirt’s like you. It’s just taking the hurt you feel and hurting others with it.” After that I never wore it again.

So, perhaps it’s best to leave these kinds of things to the peers to sort through. Again, I’m glad I don’t have to make a decision.

Here’s a photo of me in my dashiki, as photographed by my 5 year-old daughter in Vilnius this past July. I often teach class this way:

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Jim Lopez: “Hacking his own language out of everything at hand…”

There’s always a special place in a writer’s heart for the first editor who reaches out to him with the inquiry, “I’m wondering if you’d like to write something for me.” In my case that man is Jim Lopez, editor of Antique Children. If you’ve never read Antique Children, you’re simply missing out on a truly unique literary magazine, exceptionally compelling and engaging. Jim’s full length book, Abstracts of an American Pageant, is one of those works of art that straddles the line between the depraved and the sublime, often pointing out that depravity is actually sublime while, to the right kind of eyes, the sublime is depraved.

I’d tell you something more about Jim’s work, but I’m afraid Andrei Codrescu cannot be topped:

Jim Lopez is a philosopher/writer who is inventing an extraordinary form of politically radical literary journalism. Violent urbanism and eerily psycho suburban offshoots vein his rich, vernacular prose. Jim Lopez is hacking his own language out of everything at hand, including the work of Friedrich Nietzche, fresh graffiti in a derelict Los Angeles, and kinky sex. Visual, ethnically explosive and unsentimental, Lopez is also fun to read, like Kathy Acker, like an extreme porn mag in history class. -Andrei Codrescu

You should watch this bit of guerrilla filmmaking in his honor: