Liquid Ink

The official website of Gint Aras, Finalist 2016 CWA Book Award


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Signed copies of The Fugue for the holidays

The good folks at Chicago’s Volumes Bookcafe will ship a signed copy of The Fugue anywhere in the United States. Interested? Just click here and place your order directly with Volumes Bookcafe. You’ll be supporting a small press, an indie writer, a small business and an independent bookstore all in a single click. Proceeds from The Fugue also go toward the education of two beautiful children (mine).

Those of you who’ve read The Fugue know what an absorbing experience it is, and you certainly know someone in your life who’d like to take the trip. If you order before the 13th of December, I might even be able to personalize your order.

Besides The Fugue, Volumes is offering many titles signed by Chicago-area authors. They include Rebecca Makkai, Charles Finch, Megan Stielstra, Camille Bordas, Mary Robinette Kowal, Linday Hunter, Jac Jemc, Giano Cromley, Alex Higley, Melanie Benjamin, Deborah Shapiro, Nate Marshal, Maryse Meijer, Jamie Freveletti, Kevin Coval and others.

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Literature has always been a form of resistance. In the current climate, reading in order to have your point of view irrevocably changed is a radical act. Sharing literature is an act of radical love. Get out there and love.


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Expressing gratitude on the first anniversary of my novel’s publication

Today marks one year since the publication of my novel, The Fugue. I have so many reasons to express gratitude. Thank you  to my readers, to the many people who visit Liquid Ink religiously, especially those who share my writing with others. I’m just humbled to think that my writing has reached so many people in such a short time.

I’ve received notes from readers enjoying the book as far away from Chicago as Madagascar, Seychelles, Sydney and various parts of Europe. In November of 2014, before I agreed to terms, I had labeled the book a failure. Set aside, it had been collecting dust since I had finished it in 2006.

The story of how my book got published has been a topic about as interesting as the book itself. After my original publisher went out of business, the book got dumped, only to be picked up in less than 24 Hours by Tortoise Books. In short, it has been a roller coaster.

Prior to it getting published—prior to newspapers like the Chicago Tribune calling it “magisterial” and comparing it to Dostoevsky; prior to Rick Kogan glowing about it on WGN Radio, comparing it to the likes of Stuart Dybek and Nelson Algren; prior to it becoming a finalist for a Book of the Year Award—The Fugue had been rejected for being “too long” and “too focused on a community unknown to most readers.” It had been called inaccessible, convoluted and unreadable. I had been told to think more carefully about what actual American readers wanted to enjoy, and had my attention drawn to books about 5th Avenue shopping culture and immature divorce stories. I was asked to stop fantasizing about becoming one of my favorite writers, authors “no one reads anymore” and to write something snappy and original. People told me no one had any interest in long novels; that year, a pile of 110,000 word debut novels had been released.

Of course, now I stand in bookstores selling my novel, talking to readers, and I see how often books the size of lunchboxes are purchased. Two of the last three times I had a book-selling event, I sold out of the copies I had brought.

The moral of the story for writers, or for anyone pursuing an ambition against odds, is never to give up, no matter how many times you’re rejected, how many times you’re told there’s no interest in you. The most important lesson I learned while getting my MFA was that criticism revealed much more about the critic than the critiqued. That lesson keeps me soldiering on. It’s universally true.

Interested parties should know that I’m almost done with another manuscript. You’ll have something new to read soon, hopefully.

Thank you for accepting, reading, sharing and talking about my work.  You’re all the best.

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