Liquid Ink

The official website of Gint Aras, Finalist 2016 CWA Book Award


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Reading this Tuesday: Tuesday Funk, Chicago

If you’re in Chicago this Tuesday, I hope you’ll join me at The Hopleaf for Tuesday Funk #110. The exciting lineup includes Parneshia Jones, Henri Harps, Jeff Ruby and Britt Julious

I’ll be reading an excerpt from my manuscript-in-progress, which I expect to finish by the end of the year. I have not shared a single word of this manuscript with anyone yet, so Tuesday Funk revelers will be treated to a public premier. My current project is a memoir that deals with perceptions of race, and links between racism, trauma and forms of abuse.

The vitals:

Tuesday, November 7th.
Admission is free, must be 21 to attend.
Doors open at 7pm sharp, show starts at 7:30pm. 

5148 N. Clark St., Chicago

Please RSVP on Facebook — and if you haven’t yet, please like Tuesday Funk’s page so you get their announcements right in your stream.

This is me writing at Volumes:

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Photo by Rebecca George.


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Reading in NYC, Why There Are Words

I’ll be reading from The Fugue at Why There are Words this Sunday evening, March 5th. Event details are included at this link. Yes, I’ll have books for sale, discounted at $16, and I’ll be available to sign them.

Please note that this reading requires tickets. You can purchase advance discounted tickets here at Brown Bag.

I haven’t read in New York since last spring, so I’m excited to romp around again. I’m sure there will be drinks afterwards. I hope to see you.

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Book launch reading and gathering

I’m happy to announce that my book launch reading will take place at City Lit Books in Logan Square, here in Chicago, on December 17th at 6:30. Come purchase a copy of The Fugue, have it signed, meet me and support an amazing independent bookstore.

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I won’t be giving a traditional reading (the kind where a writer stands in front of people and mumbles), but will instead talk about the process of writing a long book, one that took fifteen years to publish. Interestingly, some of the topics The Fugue deals with are more relevant now than they were when I first started the manuscript: the sociology of refugees, a culture of fear and secrecy, and the search for meaning in a society whose institutions are failing. Of course, I’ll  read short sections.

There will be a brief musical interlude featuring world-class violinist Maria Storm. She’s going to play Bach’s Fugue from the Violin Sonata in G minor.

Afterwards, I hope interested parties will come along for a drink down at The Owl.

Help me figure out how much wine to get by announcing your wish to attend this event. Click here.