I’m excited that two new articles about The Fugue appeared today, one of them in time for Lent.
The first is from Newcity, the Chicago alternative press. Amy Danzer calls The Fugue a must read.
Aras’ novel examines the persistent haunting of traumatic pasts, the burden of bearing dark secrets, the lightness that comes with confession, the profound desire to feel understood, and the varying degrees to which people are responsible to one another.
The second is Leland Cheuk’s interview of me. You can read it in Entropy. I talk to Cheuk about Catholic guilt, the state of publishing, trauma and how to remain accessible while writing about topics like visual art and classical music.
I have no training in visual art and only a year of piano. I’m neither a composer nor a sculptor—for that matter, neither am I a priest or a physician, two important players in the narrative—but I really wish I could be everyone at once and learn everything they know. Writing a novel is, for me, a vicarious experience. Life forces us to pick a limited number of roles. But a novel is an antidote to life’s pigeonholing.
Please check out these publications and share the articles.