Liquid Ink

The official website of Gint Aras, Finalist 2016 CWA Book Award


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Help to fight Facebook’s secret plan!

Dear Liquid Inkers, particularly those who use Facebook:

Facebook will cuckold or whore you, or both, in the next 24 hours if you do not copy and paste this blog entry in its entirety as *your* status update, message it privately to 100% of your friends, and then share your friends’ shares of this share. Know, being cuckolded and whored is not without consequence, not in this or any other civilized society; so if you do not in the next 24 hours (at print it was just around 9:30 AM, GMT -6) copy and paste this text as *your* status update, message it privately to 100% of your friends, and then share your friends’ shares of this share, you will find yourself or your committed lover taken by Facebook to adulterous sheets, to engage acts performed only in hell, swept in the process to diabolical joy.

This is true. I have proof. To quote from Troilus and Cressida (a play by Shakespeare, who is a famous English playwright and poet): “Here is such patchery, such juggling, and such knavery! all the argument is a whore and a cuckold; a good quarrel to draw emulous factions and bleed to upon death.”

There. Now, please help to spread the word.

Quentin_Massys_030

Image: An Allegory of Folly, by Quentin Masys, taken from Wikipedia.


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Another blurb for The Fugue

The advanced reading copy of The Fugue is almost done. While anticipating how it will look, I received this humbling blurb from Alan Ziegler.

A character in The Fugue describes the eponymous musical form as having melodies “weave together like braids or plaits, then split up and come back together again.” One of Gint Aras’s many achievements in this constantly compelling novel is to propel the reader back and forth in time, encountering several generations of characters (mostly congregants and clergy at St. Anthony’s in Cicero) in various permutations with each other and in relationship to a house fire, the central act of violence (and many subsidiary affronts) that bind and break them. 
 
Set in the Lithuanian community during the decades following World War II, The Fugue is partly a “whodunit,” but is more concerned with the steps leading up to and fallout from what’s been done. Aras is a master with dialogue (especially when characters are inarticulate with each other) and details. We vicariously experience such acts as converting beer bottles “into a crude stained glass,” writing with an antique fountain pen, eating, playing and composing music, and sculpting from scrap metal, seemingly innocuous details Aras exploits to accentuate evil and surprise us with good. Aras doesn’t sugar-coat the agonies—great and small—endured and perpetuated by his cast; rather, he spices them in such a way that you feel the bite on your tongue and remain hungry for more. Amidst shattered lives, it is still possible for broken pieces to find each other and make something beautiful.
 
The Fugue is scheduled for release on December 7th, 2015.
A view of the Lithuanian wayside cross beside St. Anthony's Parish School, Cicero, Illinois.

A view of the Lithuanian wayside cross beside St. Anthony’s Parish School, Cicero, Illinois.